Your Inspirational World Die/s Every Minute You Dont Read This Article: krishna
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Showing posts with label krishna. Show all posts
Showing posts with label krishna. Show all posts

Monday, November 25, 2019

Kalkunte Agraharam (Lord Ranganatha) is located in South of Bangalore in Hoskote Taluk and Bangalore Rural District

Monday, November 25, 2019 0
Kalkunte Agraharam (Lord Ranganatha) is located in South of Bangalore in Hoskote Taluk and Bangalore Rural District

Kalkunte Agraharam (Lord Ranganatha) 

Kalkunte Agraharam is located in South of Bangalore in Hoskote Taluk and Bangalore Rural District on NH-207,about 35km away from Bangalore city.This village has a mix of population speaking  Kannada,Telugu and Tamil due to the confluence of 3 States, though the education medium is Kannada.

 

Kalkunte Agraharam (Lord Ranganatha) is located in South of Bangalore in Hoskote Taluk and Bangalore Rural District

 Historically Kalkunte has been under the Vijayanagaram Empire later ruled by Magadi Kempegowda and subsequently passed onto the then Maharaja of Mysore.

Kalkunte Agraharam has an old temple dating back to at least 2 Centuries.

The presiding diety in this temple is Lord Sri Ranganatha with his consorts

Sri Ranga Nayaki (Sri Maha Lakshmi) and Sri Andaal popularly called Thaayaars.

This Agraharam was once densely populated by a large Sri Vaishnava community, also known as Iyengaars (until about 60-70 years ago). And a vast of this community has left the village now and are settled all over the World with a majority f them in Bangalore.

The Communities arrival to Kalkunte :

The forefathers of the current generation of the Sri Vaishnava community have hailed from many parts of Tamilnadu. The documented original migrated family is that of the three sons and one daughter of Annadaanam Sri.Venkateshacharya from another Agraharam called DUSI located near Kanchipuram.This place is about 8km away on the Kanchipuram -Tiruvannamalai Road. This migration  must have occurred about 230-270 years ago after the fall of Gingee (Senjy in Tamil) to Hyderali. The then Maharaja of Mysore gave them this village as grant and thus an Agraharam was settled here.

There is a well documented 10 Generations of genealogy-Family Tree of all the three sons of Annadaanam Venkateshacharya.The current Generation is the 10 generation from Annadaanam Venkateshacharya.

Then there were others moving into this village due to relationship by marriage like the Chakravarthis, the Kidaambis now called the Cadaambis in Kalkunte of Kanchipuram. They were joined by the Perumaal Iyengaar family from Sri Rangam – Perumal in the Srivaishnava lingo is Lord Sri Ranganatha of Sri Rangam – the Thogare family from Thogur , there was others like the Gomatam family who were early settlers. Apart from this there is also a group migrated from Torepalli near Hosur with 5-6 generations genealogy since migration.

All of these families have a genealogy of 7-8 generations. Apart from this there were other two families who settled in another village now in Tamil Nadu near Sarjapur called Chicchurakanahalli and Sampangere in Kolar District.These families also had marital relationship with the Kalkunte families and are now settlers of Kalkunte itself.They also have a Genealogy of 8-9 generations.

The early settlers were proficient Vedic Scholars and were dedicated to God.

The Lord Sri Ranganatha :

After settlement in the Agraharam they had established a small Temple for daily worship and the then presiding deity is known to be Lord Srinivasa.Once about 200 years ago the Lord Sri Ranganatha appeared in the dreams of a member of the Perumaal Iyengaar family and instructed to bring him from another nearby village about 15km away called Vokkaleri located in Malur Taluk,Kolar District.It is said that the Lord also appeared in the dream of the Vokkaleri Village head and instructed them to hand over the deity.

The Vokkaleri village was once ruled by Pallava kings and date back to 800A.D with copper plate inscription of that period.The close study of the iconography of the presiding deity Lord Ranganatha indicates this belonging to the Pallava architecture.

This movement of Lord Ranganatha from Vokkaleri to Kalkunte Agrahaaram must have occurred around 200 years back. The Temple was constructed right in the middle of their homes and from a small Sanctum Sanctorum was expanded into the current structure.The Raja Gopuram was built recently during nineteen seventies.

The name of the village Kalkunte is a deformed version of Kalkand ( Kallu Sakkare) According to some and another origin says Kenavil Kanda Perumaal ( The Lord seen in the Dreams).There is also a third origin where there was a Kunte a small water body totally surrounded by Kallu (Stones) located at the entrance of the village.

Today this has been land filled (about 60-70 years ago ) and is behind the Vahana Mantapam. Agraharams in the then Mysore State are the villages granted by the Maharaja for Brahmins to settle down to pursue their Vedic studies and teach spirituality to the entire community. The grant is documented in Venkatagiri Shasanam as per say.

There is a 6 line documentation about Kalkunte Agrahaaram in the Mysore Gazetteer then published by C.Hayavadan Rao in 1923 who had personally visited this village to collect the details.

The other facilities like Paakashala and the Dining Hall was added later as and when these were donated by the families migrating away from the village.

The Poojas in the Temple are conducted as per the PANCHARATRA AAGAMA method and also as per the Vadakalai Sampradayam taught by Sri Vedantha Desikan.

There is a separate sanctum for the Alwar and Aachaaryas consisting of Nammalwaar,

Sri Bhagavad Raamanujacharya and Sri Vedantha Desikan collectively called desikan Sannidhi.

The Phalashruthi for conducting Garudotsavam in Kalkunte Agraharam :

The specialty of this deity is like that of SriRama and Krishna who went in search of their devotees. Sri Rama went to seek devotees like Shabari,Hanumantha,and Vibheeshana etc to the places where they stayed. Similarly Sri Krishna went to seek his devotees like Kubja, Vidhura,Pandavaas etc.Lord SriRanganatha in Kalkunte is also special for his Chaturbhuja Avataaram with Brahma in the Nabhi Kamalam.

The presence of Garuda has a Great significance.Those who are having Sarpa Dosham / Kuja Dosham / Ashlesha Dosham  (Also called Maangalik Dosh in Hindi)  etc can be ridden of all these Dosham completely by performing an Abhishekam to Moolavar  with Garudotsava Sevas.

There is Nithya Pooja conducted in this temple managed by the Sri Ranganatha Swamy Sabha,Regd,Kaklunte – a Trust founded to manage this temple about 100 years ago.


Saturday, November 09, 2019

Hindu God Lord Vishnu and Dasa avatar (10 Avatars)

Saturday, November 09, 2019 0
Hindu God Lord Vishnu and Dasa avatar (10 Avatars)

Dashavatara of Lord Vishnu: 10 incarnations of Lord Vishnu ...

 

Who is Lord Vishnu?

Vishnu is a Hindu god, the Supreme God of Vaishnavism (one of the three principal denominations of Hinduism) and one of the three supreme deities (Trimurti) of Hinduism. He is also known as Narayana and Hari. As one of the five primary forms of God in the Smarta tradition, he is conceived as “the Preserver or the Protector” within the Trimurti, the Hindu Trinity of the divinity.


Vishnu is one of the most important gods in the Hindu pantheon and, along with Brahma and Shiva, is considered a member of the holy trinity (trimurti) of Hinduism. He is the most important god of Vaishnavism, the largest Hindu sect. Indeed, to illustrate Vishnu’s superior status, Brahma is, in some accounts, considered to have been born from a lotus flower which grew from Vishnu’s naval. A complex character, Vishnu is the Preserver and guardian of men (Narayana), he protects the order of things (dharma) and, when necessary, he appears on earth in various incarnations or avatars to fight demons and fierce creatures and so maintain cosmic harmony.


Vishnu represents Sattvaguna and is the centripetal force as it were, responsible for sustenance, protection and maintenance of the created universe.


Etymologically speaking, the word ‘Vishnu’ means ‘one who pervades, one who has entered into everything.’ So he is the transcendent as well the immanent reality of the universe. He is the inner cause and power by which things exist.

The First Avatar: Matsya (The Fish)

Matsya is said to be the avatar that rescued the first man, as well as other creatures of the earth, from a great flood. Matsya is sometimes depicted as a great fish or as a human torso connected to the tail of a fish. 


Matsya is said to have forewarned man about the coming flood and ordered him to preserve all the grains and living creatures in a boat. This story is similar to many deluge myths found in other cultures.

The Second Avatar: Kurma (The Tortoise)

Kurma (or Koorma) is the tortoise incarnation that relates to the myth of churning the ocean to obtain treasures dissolved in the ocean of milk. In this myth, Vishnu took the form of a tortoise upon which to support the churning stick on his back.

 The Kurma avatar of Vishnu is usually seen in a mixed human-animal form.

The Third Avatar: Varaha (The Boar)

Varaha is the boar that raised the earth from the bottom of the sea after the demon Hiranyaksha dragged it to the bottom of the sea. After a battle of 1,000 years, Varaha raised the earth out of the water with his tusks. 


Varaha is depicted as either a full boar form or as a boar head on a human body.

The Fourth Avatar: Narasimha (The Man-Lion)

As the legend goes, the demon Hiranyakashipiu obtained a boon from Brahma that he could not be killed or harmed by any means. Now arrogant in his security, Hiranyakshipiu began to cause trouble both in heaven and on earth. 


However, his son Prahlada was devoted to Vishnu. One day, when the demon challenged Prahlada, Vishnu emerged in the form of a man-lion known as Narasimha to slay the demon.

The Fifth Avatar: Vamana (The Dwarf) 


In the Rig Veda, Vamana (the dwarf) appears when the demon king Bali ruled the universe and the gods lost their power. One day, Vamana visited the court of Bali and begged for as much land as he could cover in three steps. Laughing at the dwarf, Bali granted the wish. 


The dwarf then assumed the form of a giant. He took the whole earth with the first step and the entire middle world with the second step. With the third step, Vamana sent Bali down to rule the underworld.

The Sixth Avatar: Parasurama (The Angry Man)

In his form as Parasurama, Vishnu appears as a priest (Brahman) who comes to the world to kill bad kings and protect humanity from danger. He appears in the form of a man carrying an ax, sometimes referred to as Rama with an ax. 


In the original story, Parasurama appeared to restore Hindu social order which had become corrupted by the arrogant Kshatriya caste.

The Seventh Avatar: Lord Rama (The Perfect Man)


Lord Rama is the seventh avatar of Vishnu and a major deity of Hinduism. He is considered supreme in some traditions. He is the central figure of the ancient Hindu epic "Ramayana" and is known as King of Ayodhya, the city believed to be Rama's birthplace.


According to the Ramayana, Rama’s father was King Dasaratha and his mother was Queen Kausalya. Rama was born at the end of the Second Age, sent by the gods to do battle with the multi-headed demon Ravana.


Rama is often depicted with blue skin, standing with a bow and arrow.

The Eighth Avatar: Lord Krishna (The Divine Statesman)


Lord Krishna (the divine statesman) is the eighth avatar of Vishnu and is one of the most widely revered deities in Hinduism. He was a cowherd (sometimes depicted as a charioteer or statesman) who shrewdly changed rules.


According to legend, the famous poem, the Bhagavad Gita, is spoken by Krishna to Arjuna on the battlefield. 


Krishna is depicted in a variety of forms because there are so many stories surrounding him. The most common story describes Krishna as a divine lover who plays the flute; he is also described in his child form. In paintings, Krishna often has blue skin and wears a crown of peacock feathers with a yellow loincloth.

The Ninth Avatar: Balarama (Krishna's Elder Brother)

Balarama is said to be the elder brother of Krishna. It is believed that he engaged in many adventures alongside his brother. Balarama is rarely worshiped independently, but stories always focus on his prodigious strength.


In visual representations, he is usually shown with pale skin in contrast to Krishna's blue skin.

In a number of versions of the mythology, Lord Buddha is thought to be the ninth incarnation. However, this was an addition that came after the dasavatara was already established.

The Tenth Avatar: Kalki (The Mighty Warrior)

Kalki (meaning “eternity” or "mighty warrior") is the last incarnation of Vishnu. He is not expected to appear until the end of Kali Yuga, the current time period. Kalki will come, it is believed, to rid the world of oppression by unrighteous rulers. It is said that he will appear riding a white horse and carrying a fiery sword.




Saturday, October 26, 2019

Diwali, or Dipawali : Festival of Lights

Saturday, October 26, 2019 0
Diwali, or Dipawali : Festival of Lights

 Diwali, or Dipawali : Festival of Lights

Diwali, or Dipawali, is India's biggest and most important holiday of the year. The festival gets its name from the row (avali) of clay lamps (deepa) that Indians light outside their homes to symbolize the inner light that protects from spiritual darkness. This festival is as important to Hindus as the Christmas holiday is to Christians.

Over the centuries, Diwali has become a national festival that's also enjoyed by non-Hindu communities. For instance, in Jainism, Diwali marks the nirvana, or spiritual awakening, of Lord Mahavira on October 15, 527 B.C.; in Sikhism, it honors the day that Guru Hargobind Ji, the Sixth Sikh Guru, was freed from imprisonment. Buddhists in India celebrate Diwali as well.



Diwali, or Dipawali : Festival of Lights

  • In northern India, they celebrate the story of King Rama's return to Ayodhya after he defeated Ravana by lighting rows of clay lamps.

  • Southern India celebrates it as the day that Lord Krishna defeated the demon Narakasura.

  • In western India the festival marks the day that Lord Vishnu, the Preserver (one of the main gods of the Hindu trinity) sent the demon King Bali to rule the nether world.

Diwali is celebrated over five days.

  • DAY ONE: People clean their homes and shop for gold or kitchen utensils to help bring good fortune.

  • DAY TWO: People decorate their homes with clay lamps and create design patterns called rangoli on the floor using colored powders or sand.

  • DAY THREE: On the main day of the festival, families gather together for Lakshmi puja, a prayer to Goddess Lakshmi, followed by mouth-watering feasts and firework festivities.

  • DAY FOUR: This is the first day of the new year, when friends and relatives visit with gifts and best wishes for the season.

  • DAY FIVE: Brothers visit their married sisters, who welcome them with love and a lavish meal.

  Diwali: Festival of Lights In India, one of the most significant festivals is Diwali, or the Festival of Lights. It's a five-day celebration that includes good food, fireworks, colored sand, and special candles and lamps. 

This festival finds significance in Jainism, Sikhism, and Buddhism, along with Hinduism. Wherein friends and families get together, light ‘Diyas’ or earthen lamps in their houses, feast on sweet delicacies, exchange gifts, play games, and burn crackers.


It is celebrated in honor of Lord Ram returned to Ayodhya after fourteen years. Diwali is also believed that Goddess Lakshmi and God Kuber emerged from the churning of the milky sea carrying pots of wealth and elixir, respectively.


Hindus interpret the Deepavali or Diwali story based upon where they live. But there's one common theme no matter where people celebrate: the victory of good over evil.


Happiness is in the air because it is the ambiance of Diwali, which is everywhere. Shower love, care, and joy on everyone you meet. Rejoice on this blessed occasion and spread sparkles of peace and goodwill. Have a Happy Diwali 2019!”


Happiness is in the air

Monday, July 27, 2015

Main Temples and Holy Places of Mathura

Monday, July 27, 2015 0
Main Temples and Holy Places of Mathura

 Main Temples and Holy Places of Mathura, Uttar Pradesh

 Main Temples and Holy Places of Mathura, Uttar Pradesh

Dvarkadhish Temple

The Dvarkadhish Temple, built in 1814, is a popular temple in the center of Mathura town. This is the most visited temple in the center of Mathura and is managed by followers of Vallabhacarya. Once you enter this temple from the street, it is fairly interesting architecturally. It is located in the eastern part of Mathura, not far from the Yamuna River. The temple is a hub of activity during the festive days of Holi, Janmashtami and Divali.

 
The Dvarkadhish Temple, built in 1814, is a popular temple in the center of Mathura town. This is the most visited temple in the center of Mathura and is managed by followers of Vallabhacarya.

Kesavadeva Temple, Jami and Katra Masjids (mosques)

Jami Masjid on a plinth raised above street level a little way north, was completed in 1661 by Aurangzeb’s governor Abd-un-Nabi. It has long since lost its original vivid glazed tiles, but remains surrounded by four minarets and assorted outer pavilions. Around 500 m west stands another of Aurangzeb’s mosques, the impressive red sandstone Katra Masjid. This was erected on the foundations of the once-famous Kesava Deo temple, destroyed by the Moghul emperor, which had itself been built on the ruins of a Buddhist monastery. Some traces of the Hindu temple can be seen around the back, where the Sri Krishna Janmasthan or Janmabhumi complex now stands. Directly behind the mosque, approached through a corridor, a shrine marks Krishna’s exact birthplace (janmasthan); its cage-like surround signifies that He was born in captivity, when His parents were prisoners of the tyrant king Kamsa.

 
Some traces of the Hindu temple can be seen around the back, where the Sri Krishna Janmasthan or Janmabhumi complex now stands. Directly behind the mosque, approached through a corridor, a shrine marks Krishna’s exact birthplace (janmasthan); its cage-like surround signifies that He was born in captivity, when His parents were prisoners of the tyrant king Kamsa.

Vrindavan – The City Of Temples

Vrindavan, around 15 km from Mathura, is a little town and a major place of pilgrimage on the banks of Yamuna. Attracting about 500 000 pilgrims every year, mainly during major festivals like Janmashtami, Holi and Radhashtami, it is noted for its numerous temples, both old and modern, big and small (allegedly 5000 altogether). Vrindavan is synonymous with the childhood pastimes of Sri Krishna.

Vrindavan, around 15 km from Mathura, is a little town and a major place of pilgrimage on the banks of Yamuna. Attracting about 500 000 pilgrims every year, mainly during major festivals like Janmashtami, Holi and Radhashtami, it is noted for its numerous temples, both old and modern, big and small (allegedly 5000 altogether). Vrindavan is synonymous with the childhood pastimes of Sri Krishna.

Vrindavan is also the center for various Vaishava groups. In a centuries-old tradition Hindu widows have been coming to live out the rest of their lives in Vrindavan. They are expected to shed all physical adornments, including long hair, wear only white cotton saris and lead an austere lifestyle. In Vrindavan there are thousands of widows coming mostly from Bengal. They begin their day by bathing in the Yamuna and congregate at ashrams to sing bhajans (devotional songs). In return, they get a daily ration of rice and pulses and some cash. Subsisting on charitable donations made by wealthy traders, the widows pass their life in devotion to Krishna, the Supreme Lord.

History

The name ‘Vrindavan’ is derived from ‘Vrinda’, another name for the sacred tulsi (basil) plant. It is said that the entire place was a tulsi grove at one time. According to another tradition, it was named after Vrinda Devi, one of Krishna’s consorts. The earliest known shrine in Vrindavan is said to have been built by the local Gosvamis in a large garden called Nidhiban. According to tradition, Mughal Emperor Akbar was taken blindfolded inside the grove where he had some kind of a spiritual experience. As a result, he acknowledged the spot as being holy ground.

The four temples that were built in honor of his visit are Madan Mohan, Govinda Deva, Gopinath, and Jugal Kishore.

Madan Mohan Temple on the riverside is the oldest structure in Vrindavan. This famous temple was established by Srila Sanatana Gosvami and was the first Gosvami temple built in Vrindavan, which at that time was just a forest. The original Deity of Madana Mohana was discovered at the base of an old vat (banyan) tree by Advaita Acarya, when He visited Vrindavan. He entrusted the worship of Madana Mohana to His disciple, Purusottama Chaube, who then gave the Deity to Sanatana Gosvami. Sanatana Gosvami spend 43 years in Vrindavan. Worshiped along with Madana Mohana are Radharani and Lalita, who were sent to Vrindavan by Purusottama Jena, the son of Maharaja Prataparudra. 

Madan Mohan Temple on the riverside is the oldest structure in Vrindavan

 This 60 foot high temple was opened in 1580 on a 50 foot hill called Dvadasaditya Tila, next to the Yamuna. Ram Das Kapoor paid to build the temple. One day a ship he owned, loaded with merchandise, went aground in the Yamuna. He was advised by Sanatana Gosvami to pray to Madana Mohana for help. The ship came free and the owner of the ship made a big profit, which he used to built this temple.

The temple is associated with Sri Caitanya Mahaprabhu who stayed here. Due to the fear of Muslim onslaughts on the temple the original murti was moved to Rajasthan (Karoli). A replica is now worshiped in the temple. The bhajan kutir and samadhi of Sanatana Gosvami, together with the puspa-samadhis of Candrasekhara Acarya and Tapana Misra are also here.

Govinda Dev Temple was a grand seven-story structure, with an altar of marble, silver and gold. Architecturally this temple is one of the finest in North India. A sculptured lotus flower weighing several tons decorates the main hall ceiling. It was built in 1590 by Raja Man Singh from Jaipur, a general in Akbar’s army, who was inspired to do it after meeting Rupa Gosvami. It was said to have cost ten million rupees and several thousand men were working for five full years to complete it. Akbar himself had donated the red sandstone for its construction. In 1670, during the rule of a later Mughal king, Aurangzeb, it was plundered and destroyed leaving only three stories of the original temple. During this attack, when few stories remained, all of a sudden the ground began to shake violently and Aurangzeb’s men were terrified and ran for their lives, never to return.

Govinda Dev Temple was a grand seven-story structure, with an altar of marble, silver and gold. Architecturally this temple is one of the finest in North India

 Temple is now empty and the replica of Govindaji is worshiped in the new Govindaji Mandir (located behind the original temple). The original Govindaji is worshiped in Jaipur.

The Deity of Gopinath worshiped in Radha-Gopinath Temple was discovered at Vamsivat by Paramananda Bhattacarya, who entrusted the Deity’s worship to Madhu Pandita. On the altar are Deities of Srimati Radharani and Her sister, Ananga Manjari. Madhu Pandita’s samadhi is next to the temple.

Gopinathji was originally installed in Vrindavan by Vajranabha, the great grandson of Krishna. When the Muslims raided Vrindavan, the original Gopinath Deity was taken to Jaipur. The Gopinath Deity in Jaipur and Lord Krishna are said to exactly resemble each other from Their shoulders down to the waist.

Jugal Kisore Temple (Kesi ghata temple) is one of the oldest temples of Vrindavan, completed in 1627. After Akbar’s visit to Vrindavan in the year 1570, he gave permission for four temples to be built by the Gaudiya Vaisnavas, which were Madana-mohana, Govindaji, Gopinatha and Jugal Kisore. It is sometimes called the Kesi ghata temple, as it is located next to this ghata.

Jugal Kisore Temple (Kesi ghata temple) is one of the oldest temples of Vrindavan, completed in 1627.

Opposite from the Govinda Dev Temple is an imposing south-Indian temple called Sri Ranganatha (Rangaji) Temple. It is 30 meters high with three gopurams (gateways), a tall shikhara (crown) and gold-plated decorations. This South Indian style temple was built by the wealthy Seth family of Mathura in 1851 and is dedicated to Lord Sri Ranganatha or Rangaji, a form of Lord Vishnu lying down on the Sesa Naga (divine serpent). This temple has a traditional South Indian gopuram (gateway), a Rajput-styled (architectural style prevailing in the present Indian state of Rajasthan) entrance gate and an Italian-influenced colonnade. One of the enclosures within the precincts of this magnificent temple has a 15-meter-high pillar made of gold. It is one of Vrindavan’s largest temples and is surrounded by high walls. Once a year there is a grand car festival (Ratha Yatra) known as Brahmotsava during the month of Caitra (March-April). This festival lasts for 10 days. At the entrance, there is an electronic puppet show about stories of Krishna and a small museum.

One of the most popular in Vrindavan and famous all over India is the Banke Bihari Temple, built in 1864. There are curtains in front of the richly decorated murti. After the main prayers the curtains are drawn apart to give darsan (viewing) to a long line of devotees. The curtain before the Deities is not left open like at other temples but every few minutes it is pulled shut and then opened again. The Deities do not get up until 9 AM. The temple has mangala-arati only one day a year and only once a year can the lotus feet of the Deity be seen, on Akhyaya Tritiya. Many devotees come every day, especially in the month of Sravana, during Jhulan Yatra, the swing festival. The murti is said to have been discovered by the musician-saint Svami Hari Das in Nidhi Van, a kadamba grove where Banke Bihari was originally worshiped. A contemporary of the Six Gosvamis, Svami Haridasa, known for his bhajans, was the guru of the famous musician Tansen.

Radharamana Temple is the famous temple of Gopala Bhatta Gosvami. Radharamana means “one who gives pleasure to Radha”. It is one of the many names of Lord Krishna. The seva puja of Radharamana was established in 1542, after the Deity self-manifested from a salagram-sila on the full moon day of Vaisakha (April/May). This event is celebrated every year by bathing the Deity with 100 liters of milk and other auspicious items. The remnants of this abhiseka (bathing) are like nectar. Gopal Bhatta Gosvami’s other shalagram-shilas are worshiped on the altar here. The appearance place of Sri Radharaman Deity is next to the temple. Radharamanji is one of the few original Deities of the Gosvamis still in Vrindavan. The standard of worship is very high.

Radharamana Temple is the famous temple of Gopala Bhatta Gosvami. Radharamana means “one who gives pleasure to Radha”. It is one of the many names of Lord Krishna.

 

Also kept in this temple is the wooden sitting place (hoki) and shawl (chaddar) or Lord Caitanya that He gave as a gift to Gopala Bhatta Gosvami. There is no Deity of Radharani in this temple, but a crown is kept next to Krishna signifying Her presence. Gopal Bhatta’s samadhi is located here. The fires for cooking in the temple kitchen have been burning continuously since the Deity was installed over 460 years ago and the cooking still follows cookbooks from that time.



Sunday, July 26, 2015

Mathura and Vrindavana

Sunday, July 26, 2015 0
Mathura and Vrindavana

Vrindavana and Mathura are the most important places of pilgrimage for devotees of Krishna. Krishna was born in Mathura and spent His childhood in Vrindavan. There are over 5,000 temples in Vrindavan.


 Vrindavana and Mathura are the most important places of pilgrimage for devotees of Krishna. Krishna was born in Mathura and spent His childhood in Vrindavan. There are over 5,000 temples in Vrindavan.

The city of Mathura, in Uttar Pradesh, the nucleus of Brajabhumi, is located 140 km south-east of Delhi and 60 km north-west of Agra. Covering an area of about 3,800 sq. km., Brajabhumi can be divided into two distinct units – the eastern part in the trans-Yamuna tract with places like Gokul, Mahavan, Baldeo, Mat and Bajna and the western side of the Yamuna covering the Mathura region that encompasses Vrindavan, Govardhan, Kusum Sarovar, Barsana and Nandgaon (Nandagram).

The land of Braj starts from Kotban near Hodel about 95 km from Delhi and ends at Runakuta which is known specially for its association with the poet Surdas, an ardent Krishna devotee. A long line of picturesque ghats – with their steps leading to the water’s edge, arched gateways and temple spires extending along the right bank of the River Yamuna, emphasize the sacred character of the town of Mathura. The birth place of Lord Krishna, Mathura is today an important place of pilgrimage.

Lord Krishna is the most popular person here. Every square foot of Mathura-Vrindavan is wrapped in timeless devotion to Lord Krishna, the eternal hero, the lover of Radha and the cowherd-prince. Mathura without Lord Krishna is like Bethlehem without Jesus. Welcome to Brajabhumi, Krishna’s land.

To enable everyone to see the area in a traditional spiritual way, every year in Kartika (Oct/Nov) ISKCON puts on a Braja Mandala parikrama. This one-month walking tour goes to all 12 forests in Vrindavan and visits most of major places in the Braja area including Mathura, Radha Kund, Varsana, Nandagrama, Gokula, Vrindavan, and Govardhana Hill. It is traditional to do this walk barefoot, although shoes are permitted.

Location

The city of Mathura is located in the western part of the state of Uttar Pradesh, in the north of India. It is a part of the great northern plains and is situated on the west bank of the river Yamuna. Mathura is 140 km south of Delhi and 60 km northwest of Agra. The climate of Mathura is extreme and tropical. Summers are extremely hot and winters are cold and foggy. It experiences southwestern monsoon rains from July to September.

History

An ancient city whose origins fade into the mists of history, Mathura’s strategic location at the cross roads of various trade routes – that went westwards to West Asia and the Roman Empire; northwards, via Taxila, Pushkalavati and Purushapur to Central Asia and the Silk Route and eastwards to China – ensured its position as a center of trade and a meeting point for varied cultures.

By the fifth century BC, during the time of Buddha, it was a major metropolis and the capital of the Surasena kingdom – one of the 16 Mahajanapadas of the period. Mathura saw its `golden age’ during the rule of the Kushanas and the able governance of rulers like Kanishka, Huvishka, and Vasishka, when the arts flourished and economic wealth grew. It remained a center of power during the Mauryan period, through the enlightened rule of Emperor Ashoka to the Gupta era (4th century AD).

Braj Culture in Mathura

It has often been said that it is easier to count the number of dust particles on the surface of the earth than to count the number of holy places in Mathura. Each of the ghats, for instance, has its own Krishna story (like Visram-ghat where He rested after killing his evil and tyrannical uncle, King Kansa).

Lord Krishna was born in a prison cell in Mathura. His father Vasudev aided by goddess Yogamaya brought him out of Mathura, across the raging river Yamuna into the house of Nanda in Gokula. Krishna spent his early childhood here and revealed His divinity. His uncle Kansa’s murderous attempts lead Krishna to leave Gokula and move to Nandgaon, a more secure home high up on a hill. From here the young Krishna the cowherd boy would wander into the Vrindavan forests to play with His friends and dally with Radha, His consort. Vrindavan, is a transcendental world, a place of Krishna’s lila. Each tree in the area speaks, as it were, of the love of the Divine Couple.

According to the Bhagavata Purana, Sri Krishna along with the gopis had danced the rasa dance on the banks of the Yamuna in Vrindavan. When the gopis felt conceited about Lord Krishna dancing with them, He disappeared from their midst. In the agony of separation from their beloved Krishna, the gopis recalled and enacted His lilas (divine pastimes of His life) which in course of time came to be known as the Rasalilas. The Rasalila in its present form is ascribed to Svami Haridas and Sri Narayan Bhatt. As per the custom only young Brahmin boys of 13 to 14 years of age take part in this Rasalila performance. The charming childhood pranks of Sri Krishna constitute the main them of these dramas.




Meerabai or Mirabai (alternate orthographies: Meera, Mira, Meera Bai) (Hindi:मीराबाई Bengali: মীরাবাঈ;)

Sunday, July 26, 2015 0
Meerabai or Mirabai (alternate orthographies: Meera, Mira, Meera Bai) (Hindi:मीराबाई Bengali: মীরাবাঈ;)

Meera Bai  - Meera Krishna se prem nahi karti thi. ये तो सत्य है, Meera Bai कृष्णा से प्रेम नहीं करती थी। आप सोच रहे होंगे ऐसा क्यू ...

Meerabai or Mirabai (alternate orthographies: Meera, Mira, Meera Bai) (Hindi:मीराबाई Bengali: মীরাবাঈ;) was an aristocratic Hindu mystical singer and devotee of Lord Krishna from Rajasthan and one of the most significant figures of the Sant tradition of the Vaishnava bhakti movement. Some 1,200–1,300 prayerful songs or bhajans attributed to her are popular throughout India and have been published in several translations worldwide. In the bhakti tradition, they are in passionate praise of Lord Krishna.

 Meera Krishna se prem nahi karti thi. ये तो सत्य है, Meera Bai कृष्णा से प्रेम नहीं करती थी। आप सोच रहे होंगे ऐसा क्यू ...

  Mirabai Poems

  • I Am Mad With Love -   I am mad with love And no one ...

  • A Cowherding Girl  - The plums tasted sweet to the unlettered ...

  • Do Not Leave Me -  Do not leave me alone, a helpless woman. My...

  • Keep Up Your Promise  - Take my arm and keep up your promise! ...

  • I Have Found My Guru  - I have found a guru in Raidas, he has ...

  • Strange Is The Path When You O...  - Do not mention the ...

  • Sleep  - Sleep has not visited me the whole night, Will the ..

    Mira Bai, (born c. 1498, Kudaki, India—died 1547?, Dwarka, Gujarat), Hindu mystic and poet whose lyrical songs of devotion to the god Krishna are widely popular in northern India. ... Mira Bai was a Rajput princess, the only child of Ratan Singh, younger brother of the ruler of Merta.

    Krishna ki prem diwani meera

    Meera Bai को जब अपने पति के साथ सती होने के लिए बोला तो मीरा ने यह कहते हुए मन कर दिया की मेरे पति केवल श्री कृष्णा ही हैं। पुराने

    समय में ये एक कुप्रथा थी।

    जहाँ पति के मरने के बाद पत्नी को भी उसकी जलती हुई चिता में बिठा कर जान देनी होती थी। पति के परलोकवास के बाद मीरा की भक्ति दिन

    पर प्रति दिन अपनी प्रगाड़ता को छूने लगी।

     How did Meera dance for Krishna?

    मीरा मंदिरों में जाकर वहाँ मौजूद कृष्ण भक्तों के सामने कृष्णजी की मूर्ति के आगे बेसुध हो नाचती रहती थी। कृष्ण की पागल मीरा इतनी

    पागल हो गई की उसे कृष्णा के आलावा कुछ सुहाता ही नहीं था।

    उसका यह नाचना गाना उसके ससुराल वालों को पसंद ही नहीं आता था। Meera Bai की अध्यात्मिक दिनचर्या अब और बढ़ने लगी जो अब मीरा

    के ससुराल को अखरने लगी ससुराल वालों ने तर्क भी किया था।

    मीरा अब मेवाड़ की महारानी है और उन्हें राजसी ठाठ वाठ के साथ संज संवर कर ही रहना चाहिए तथा राजवंश कुल की मर्यादा का ध्यान भी रखना चाहिए

     Did Krishna love Meera?

    एक बार की बात है जब जहर का प्याला मीरा बाई को मारने के लिए भेजा गया। मीरा ने अपने भगवान् श्री कृष्ण को जहर के प्याले का प्रसाद

    भोग लगाया. जैसे वह हर एक चीज का भोग लगाती थी.

    तत्पश्चात मीरा ने भगवान् का प्रसाद स्वरुप ग्रहण कर लिया। परन्तु वह जहर का प्याला अमृत में बदल गया। जब राणा विक्रम ने काँटों की

    सेज का बिस्तर मीरा को भेजा परन्तु काटों का बिस्तर भी फूलों के बिस्तर में बदल गया।

    भगवान् श्री कृष्णा स्वयं उनकी रक्षा करते थे मीरा बाई को कई बार भगवान् ने स्वयं प्रकट हो कर दर्शन भी दिए थे। उनके घर वालों के इस प्रकार

    के व्यवहार से परेशान होकर वह द्वारका और वृंदावन चली गईं।

    मीरा बाई जहाँ जाती थीं वहाँ श्री क्रृष्ण का रंग हर किसी में इतना चढ़ जाता की सब बेसुध हो मीरा के साथ नाचते गाते रहते।

    What happened to Meera Bai?

    Meera Bai बचपन से ही कृष्ण भक्ति में इतनी तल्लीन हो गई की उन्हें अपना पति ही समझने लगी। एक बार की बात है, जब महल के पास से

    एक बारात गुजर रही थी तो मीरा ने उत्सुकतावस अपनी माँ से पूछा।

    माँ मेरे पति कौन हैं?  माँ ने मजाकिया, लहजे में मीरा से बोला दिया की अरे तेरे पति तो खुद श्री कृष्णा ही हैं। जिनके साथ आप हमेशा रहती हो

    और माँ ने व्यंग करते हुए श्री कृष्ण जी की मूर्ति दिखाई और बोली ये तेरे पति हैं।

    भले ही मजाक में माँ ने तो बोला, परन्तु मीरा बाई ने उस बात को इतनी गहराई से लिया की उन्हें अपना पति समझ कर ही प्रेम करने लगी। और

    श्री कृष्णा की भक्ति में इतनी तल्लीन हो गई की आज उन्हें राधा जी के साथ श्री कृष्णा दीवानी के रूप में हर कोई जानता है।

    Meera Bai की माँ कृष्ण भक्ति में उनका समर्थन करती थी। परन्तु मीरा के भाग्य में माँ का साथ ज्यादा समय के लिए नहीं था। मीरा छोटी थी तो  इनकी माँ का देहांत हो गया।

     

FAMOUS AND BEST QUOTES FROM BHAGWAT GITA

Sunday, July 26, 2015 0
FAMOUS AND BEST QUOTES FROM BHAGWAT GITA

BELOW ARE SOME OF THE FAMOUS QUOTES FROM BHAGWAT GITA:

As an Indian, it is nearly impossible to have not heard of Bhagavad Gita. The Hindu scripture consisting of Lord Krishna’s 700 verses, is the most revered work in the Indian literature. Verses of this text and Bhagavad Gita Quotes are based on how one should perform one’s duty with righteousness all throughout.

The scripture is a dialogue between Pandava prince Arjuna and divine deity Krishna during the Kurukshetra war in the ancient Sanskrit epic-Mahabharata. Bhagavad Gita is also renowned as ‘The Song Of God’ that unravels life’s philosophy and spiritual wisdom.

 BELOW ARE SOME OF THE FAMOUS QUOTES FROM BHAGWAT GITA:

Here are some noteworthy Bhagavad Gita quotes to understand the principles of life in the best possible way!

"yada yada hi dharmasya
glanir bhavati bharata
abhyutthanam adharmasya
tadatmanam srjamy aham" (Bhagwat Gita: Chapter Four verse 7)


"Sri Krishna said: Whenever and wherever there is a decline in virtue/religious practice, O Arjuna, and a predominant rise of irreligion—at that time I descend Myself, i.e. I manifest Myself as an embodied being."


"paritranaya sadhunam

vinasaya cha duskritam

dharma-samsthapanarthaya

sambhavami yuge yuge" (Bhagwat Gita: Chapter Four verse 8)

"Sri Krishna said: To deliver the pious and to annihilate the miscreants, as well as to reestablish the principles of religion, I Myself appear, millennium after millennium."


"karmany evadhikaras te

ma phalesu kadachana

ma karma-phala-hetur bhur

ma te sango ’stv akarmani" (Bhagwat Gita: Chapter Two verse 47)

"Sri Krishna said: You have a right to perform your prescribed duty, but you are not entitled to the fruits of action. Never consider yourself the cause of the results of your activities, and never be attached to not doing your duty."


"na jayate mriyate va kadacin
nayam bhutva bhavita va na bhuyah
ajo nityah sasvato ’yam purano
na hanyate hanyamane sarire" (Bhagwat Gita: Chapter Two verse 20)


"Sri Krishna said: The soul is never born nor dies at any time. Soul has not come into being, does not come into being, and will not come into being. Soul is unborn, eternal, ever-existing and primeval. Soul is not slain when the body is slain."


"vasamsi jirnani yatha vihaya
navani grhnati naro ’parani
tatha sarirani vihaya jirnany
anyani samyati navani dehi" (Bhagwat Gita: Chapter Two verse 22)


"Sri Krishna said: As a human being puts on new garments, giving up old ones, the soul similarly accepts new material bodies, giving up the old and useless ones."


"nainam chindanti shastrani
nainam dahati pavakah
na chainam kledayanty apo
na sosayati marutah" (Bhagwat Gita: Chapter Two verse 23)


"Sri Krishna said: The soul can never be cut to pieces by any weapon, nor burned by fire, nor moistened by water, nor withered by the wind."

  “When meditation is mastered,

The mind is unwavering like the

Flame of a lamp in a windless place.

In the still mind,

In the depths of meditation,

The Self reveals itself.

Beholding the Self

By means of the Self,

An aspirant knows the

Joy and peace of complete fulfillment.

Having attained that

Abiding joy beyond the senses,

Revealed in the stilled mind,

He never swerves from the eternal truth.”

Bhagavad Gita

 

The History of the Konark Sun Temple, Orissa (Odisha), India

Sunday, July 26, 2015 0
The History of the Konark Sun Temple, Orissa (Odisha), India

History of the Konark Sun Temple, Orissa (Odisha), India

 Odisha (formerly Orissa), an eastern Indian state on the Bay of Bengal, is known for its tribal cultures and its many ancient Hindu temples. The capital, Bhubaneswar, is home to hundreds of temples, notably the intricately-carved Mukteshvara. The Lingaraj Temple complex, dating to the 11th century, is set around sacred Bindusagar Lake. The Odisha State Museum is focused on the area’s history and environment.

Konark Sun Temple is a 13th-century CE Sun temple at Konark about 36 kilometres northeast from Puri on the coastline of Odisha, India. The temple is attributed to king Narasinga Deva I of the Eastern Ganga Dynasty about 1250 CE.

Address: Konark, Odisha 752111
Opened: 1250
Hours: Opens 6AM Closes : 8PM ⋅
Architectural style: Kalinga architecture
Area: 10.62 ha (26.2 acres)

The History of the Konark Sun Temple, Orissa (Odisha), India

What is special about Sun Temple?

The Konark Sun Temple is a 13th-century Hindu temple dedicated to the Sun God. Shaped like a giant chariot, the temple is known for the exquisite stone carvings that cover the entire structure. It is the best-known tourist destination in Orissa and has been a World Heritage Site since 1984.

Who built the Sun Temple?

Based on Brahmin beliefs, this temple was built in the 13th century by King Narasimhadeva I (1238-1250 CE) of the Eastern Ganga Dynasty and dedicated to Sun God Surya. As per legend, the son of Lord Krishna, Samba, got the Konark Sun Temple constructed to honor Surya the Sun God, as the God had cured his leprosy.

Why Sun Temple is called Sun Temple?

Konark Sun Temple, located in the eastern State of Odisha near the sacred city of Puri, is dedicated to the sun God or Surya. ... Sailors once called this Sun Temple of Konarak, the Black Pagoda because it was supposed to draw ships into the shore and cause shipwrecks.

Why Konark temple is not Worshipped?

The Konark temple is believed to have been destroyed in the 16th century, either by Muslim invaders (Kala Pahad) of Bengal or due to architectural faults which caused auto dismantling of massive stone structures causing the main temple to collapse.

Why is Konark called Black Pagoda?

Why is Sun Temple, Konark called the 'Black Pagoda'? ... So, the temple was used as a navigational point by European sailors. They referred to it as the 'Black Pagoda' due to its dark colour and its magnetic power that drew ships into the shore and caused shipwrecks.   

The Sun Temple of Konark stands at the end of a deserted stretch of coast in Odisha, at the Bay of Bengal. Sailors of yore used this temple as a navigational aid for centuries. It was known as the “Black Pagoda,” which distinguished it from the “White Pagoda” – the Jagannath Temple 32 kilometers further up the coast at Puri. Though the Sun Temple stands nearly three kilometers from the ocean today, when it was built 800 years ago, it stood at the very edge of the sea. There is something raw about the entire ambience of the place. Storms and sea winds batter its stone walls and salt and sand cut away and erode it as the temple appears to be gradually melting away into the sand.

Sun worship is very significant to Indians. The standard daily prayer of brahmins is the Gayatri mantra, addressed to the sun. The practice of Surya Namaskar or Sun Salutation is also an important part of yogic practice.

The Legend


Historians have been unable to unearth any clear reason as to why a temple was erected here, but many legends have come up to fill this gap. The most popular one tells the tale of Krishna’s son, Samba, who was too proud of his beauty. So proud in fact, that he once made fun of sage Narada, a person who was not all that good looking. Narada plotted his revenge and lured Samba into a pool where his stepmothers were bathing in joyful abandon. When it came to Krishna’s notice that his son was misbehaving with his wives, he cursed him with leprosy. Realizing later that the innocent boy had been tricked by Narada’s cunning, Krishna was mortified. But he could not revoke his curse. All he could do was advise his son to worship the sun god Surya, healer of all diseases, and hope for a cure. After twelve years of penance and worship, Samba was at last instructed by Surya to go and bathe in the sea at Konark. He did so and was cured of his awful affliction. Samba was so delighted that he decided there and then to erect a Surya temple on the spot. It was called Konarka, “Place of the Sun,” from which the modern name comes.

The History

Historical fact has always been interwoven with myth in India, and there may be an interesting connection here. We know that the temple was actually built by a king of the medieval Ganga dynasty, Narasingha Deva (1238-1264). The king was popularly known as langulia, “the one with a tail.” One explanation is that Narasingha built the temple to commemorate his victories over the Muslims, who were pushing into Odisha from the west. We know that during his reign he won at least three resounding victories over the invaders.

By the end of the sixteenth century, Konark was famous far beyond the borders of Odisha and had become a great center of pilgrimage and attracted the praise of even such a discriminating critic as Abul Fazl, the court biographer of Akbar. He tells us: “Near Jagannath (Puri) is a temple dedicated to the sun. Its cost was defrayed by twelve years’ revenue of the province. Even those whose judgment is critical, stand astonished at the sight. 28 temples stand in its vicinity; six before the entrance and 22 within the enclosure, each of which has its separate legend.”

Those days are gone. All that now remains is half the main temple, and even that is damaged. Nevertheless, this mere fragment of Konark’s former glory constitutes what is often considered to be the most impressive temple in northern India.

The story is told that Narasingha Deva was delighted with the achievement of his craftsmen. One day, the king decided to see how the building of the Sun Temple was progressing. He disguised himself and wandered about the site, incognito, looking here and there to see that the work was to his satisfaction. In one corner of the vast camp he came across a famous craftsman, absorbed in carving out a block of stone. This artist had an attendant, a young apprentice whose sole job was to squat behind the master and supply him with refreshment whenever he needed it. This refreshment was in the form of pan-betel leaf wrapped around a bitter and heady mixture of chopped areca nut, chewing tobacco, and lime.

The king motioned to the attendant to move, and silently took his place. So absorbed was the master, that he did not notice anything had happened behind him. After a while, he stretched back his hand for more pan. The king, who had been gazing entranced at the beautiful work being done, quickly got out his own pan box of finest silver, took out a bundled leaf, and put it in the outstretched hand. The craftsman popped the pan in his mouth and went on working. For a few moments nothing happened, but then he suddenly realized that the pan he was chewing was of a far higher quality than normal. Turning around to find out what was going on, he recognized the face of his king. Spluttering profuse apologies, the sculptor prostrated himself before the squatting monarch. But Narasingha Deva would have none of it. Rising to his feet, he lifted up the artisan and then bowed down low before him, saying: “Maharaj! You are so talented, you are indeed worthy to have the king as your attendant!”

It is said that gigantic magnets within the temple ensured that the metallic deity of Surya remained suspended in midair. However, when Muslim armies threatened the kingdom a few centuries after it was built, the local maharaja removed the cult image of Surya from the sanctuary and it was taken to Puri for safety. Once the Muslim armies invaded, the place fell into total neglect.

The decay was gradual. Even in 1848, a corner of the tower still stood to a considerable height. In 1820 this was about 35 meters according to the Scots traveler A. Stirling who saw it then. The English architect Markham Kittoe, writing in 1838, estimated it had diminished to “80 or 100 feet, and has at a distance the appearance of a crooked column.” But this brave remnant was not to last long. Ten years later, in 1848, it was blown down in a ferocious gale. When the Indian writer Rajendralala Mitra visited the site after another twenty years, even the sanctuary over which the proud shikhara had towered was reduced to “an enormous mass of stones, studded with a few pipal trees here and there.” The porch – that part of the temple still standing – suffered more from the hands of man than from the elements. The chief villain of the piece was a Raja of Kurda, who took a particular liking to the chlorite slabs that decorated the facade of the building. Again, on-the-spot evidence comes from Kittoe.

“The Kurda Raja has demolished all three entrances and is removing the stones to Puri; the masons pick out the figures and throw them down to take their chances of being broken which most of them are. These they leave on the spot; those that escape uninjured are taken away. Nor were the local people averse to helping themselves to the iron clamps, for the sake of the metal.”

Fortunately, this vandalism was stopped by order of the government in 1838. The story of the conservation and repair of the temple has become an inextricable part of its myth. Sadly, the early part of the story is a classic tale of bureaucratic bungling. The first suggestion to repair the ruin came from the unlikely direction of the Marine Board. In 1806 they submitted a proposal to have the temple repaired so that it could once more be a useful navigational landmark for the ships in the Bay of Bengal! But the government considered the expense involved to be too great.

This was again the reason given by the deputy governor of Bengal in 1838, when he refused to do anything to preserve the temple. In 1882-83, some jungle clearance was undertaken and a few statues mounted on platforms around the site, but in the wrong place. In 1892, Lieutenant Governor Sir Charles Elliot refused to grant any money for restoration, though some individual pieces of sculpture were shifted to the Calcutta Museum a couple of years later. Elliot did suggest that some debris be cleared from the rear of the porch, but this was not done, because the superintendent engineer thought that such action would weaken what remained of the building. Thus a hundred years were wasted before any constructive action was taken to improve the site. In 1900 Sir John Woodburn, the new lieutenant governor, visited Konark and immediately issued an order that repair and restoration should begin without further delay.

Periodic renovations took place well into the twentieth century. The latest survey was by an international team from UNESCO who, in 1980 produced the extraordinary suggestion that the entire temple should be covered in a coat of fiberglass to protect it from the march of time.

Friday, July 17, 2015

20 Indian Baby Boy Names : Inspiration by Lord Krishna

Friday, July 17, 2015 0
20 Indian Baby Boy Names : Inspiration by Lord Krishna

20 Indian Baby Boy Names : Inspiration by Lord Krishna

Name definition, a word or a combination of words by which a person, place, or thing, a body or class, or any object of thought is designated, called, or known.

 A name is a term used for identification. They can identify a class or category of things, or a single thing, either uniquely, or within a given context. The entity identified by a name is called its referent. A personal name identifies, not necessarily uniquely, a specific individual human. The name of a specific entity is sometimes called a proper name (although that term has a philosophical meaning also) and is, when consisting of only one word, a proper noun. Other nouns are sometimes called "common names" or (obsolete) "general names". A name can be given to a person, place, or thing; for example, parents can give their child a name or a scientist can give an element a name.


20 Indian Baby Boy Names : Inspiration by Lord Krishna

Krishna, the eighth son of Devki and Vasudev, is known to be kind, magnanimous, merciful, brave and playful. No wonder then that many moms would want their little boys to be just like the Lord who loved makhan. Lord Krishna was given a number of names that are a tribute to his courage, intellect, beauty and bravery. So, here are 20 baby boy names inspired by lord Krishna to welcome divinity into your home.

1. Avyukt: The literal translation of Avyukt is crystal clear or clear minded and is another name for the great lord Krishna.

2. Anirudh: Anirudh is inspired from the name Aniruddha which means unrestrained or without obstacles. Anirudh was also the grandson of Krishna and is considered to be an avatar of lord Vishnu.

3. Anant: Anant means eternal or endless. Since lord Krishna was eternal he was also referred to as Anant.

4. Darsh: Darsh is derived from the word Darshan which means vision. Lord Krishna had the power to see it all and thus he was also called Darsh.

5. Devesh: Devesh means king of gods or lord of gods and is the perfect title given to lord Krishna for his divine intervention.

6. Kannan: Kannan too is another name given to lord Krishna or means a form of Krishna the great.

7. Kriday: Kriday is a unique baby name that adds up to the list of lord Krishna's names.

8. Krish: This five syllable word is the short form for Krishna and sounds rather cool.

9. Manhar: This moniker too is another one that was used for lord Krishna.

10. Monish: Monish means the lord of mind and since Krishna was almighty he was also called Monish.

11. Nand: Lord Krishna was also known as Nand-Kishore and thus Nand is a name inspired from that title.

12. Nathan: Another title given to Krishna was Nathan. It also means gift of God.

13. Saket: In literal translation, Saket means a place close to heaven. Lord Krishna was also called Saket.

14. Shoubhit: Shoubhit is one of many names given to lord Krishna. Shoubhit or Shobhit means 'adorned' or ornamented.

15. Siddhanta: It means principle and Krishna was fondly called Siddhanta too.

16. Uddhav: Uddhav was one of lord Krishna's loyal friends.

17. Vivaan: Vivaan, another title given to lord Krishna and it means full of life.

18. Vrajraj: This name is a moniker attached to lord Krishna and adds to his long list of titles.

19. Yaduraj: Lord Krishna was called Yaduraj which means the king of the Yadu clan.

20. Yaduvir: A moniker inspired by lord Krishna and it means self-sufficient.

Thursday, July 02, 2015

The Story of the Birth of Lord Krishna

Thursday, July 02, 2015 0
The Story of the Birth of Lord Krishna

 The Story of the Birth of Lord Krishna

The birth of Krishna is in itself a transcendental phenomenon that generates awe among the Hindus and overwhelms one and all with its supra mundane happenings.


The Story of the Birth of Lord Krishna

Mother Earth, unable to bear the burden of sins committed by evil kings and rulers, appealed to Brahma, the Creator for help. Brahma prayed to the Supreme Lord Vishnu, who assured him that he would soon be born on earth to annihilate tyrannical forces.

One such evil force was Kamsa, the ruler of Mathura (in northern India) and his people were utterly terrified of him. On the day Kamsa's sister Devaki was married off to Vasudeva, an akashvani or voice from the sky was heard prophesying that Devaki's 8th son would be the destroyer of Kamsa. The frightened Kamsa immediately unsheathed his sword to kill his sister but Vasudeva intervened and implored Kamsa to spare his bride, and promised to hand over every new born child to him. Kamsa relented but imprisoned both Devaki and her husband Vasudeva.

When Devaki gave birth to her first child, Kamsa came to the prison cell and slaughtered the newborn. In this way, he killed the first six sons of Devaki. Even before her 8th child was born, Devaki and Vasudeva started lamenting its fate and theirs. Then suddenly Lord Vishnu appeared before them and said he himself was coming to rescue them and the people of Mathura. He asked Vasudeva to carry him to the house of his friend, the cowherd chief Nanda in Gokula right after his birth, where Nanda's wife Yashoda had given birth to a daughter.

He was to exchange his boy and bring Yashoda's baby daughter back to the prison. Vishnu assured them that "nothing shall bar your path".

At midnight on ashtami, the divine baby was born in Kamsa's prison. Remembering the divine instructions, Vasudeva clasped the child to his bosom and started for Gokula, but found that his legs were in chains. He jerked his legs and was unfettered! The massive iron-barred doors unlocked and opened up.

While crossing river Yamuna, Vasudeva held his baby high over his head. The rain fell in torrents and the river was in spate. But the water made way for Vasudeva and miraculously a five-mouthed snake followed him from behind and provided shelter over the baby.

When Vasudeva reached Gokula, he found the door of Nanda's house open. He exchanged the babies and hurried back to the prison of Kamsa with the baby girl. Early in the morning, all the people at Gokula rejoiced the birth of Nanda's beautiful male child. Vasudeva came back to Mathura and as he entered, the doors of the prison closed themselves.

When Kamsa came to know about the birth, he rushed inside the prison and tried to kill the baby. But this time it skipped from his hand and reaching the sky. She was transformed into the goddess Yogamaya, who told Kamsa: "O foolish! What will you get by killing me? Your nemesis is already born somewhere else."

In his youth Krishna killed Kamsa along with all his cruel associates, liberated his parents from prison, and reinstated Ugrasen as the King of Mathura.


Wednesday, December 08, 2010

The Baggawad Gita Simplified

Wednesday, December 08, 2010 0
The Baggawad Gita Simplified

THE BHAGAWAD GITA SIMPLIFIED

The Bhagavad Gita, often referred to as the Gita, is a 700-verse Sanskrit scripture that is part of the Hindu epic Mahabharata. The Gita is set in a narrative framework of a dialogue between Pandava prince Arjuna and his guide and charioteer Krishna.

The Bhagavad Gita often referred to as the Gita, is a 700-verse Sanskrit scripture that is part of the Hindu epic Mahabharata (chapters 23–40 of Bhishma Parva). 

Religion‎: ‎Hinduism
Language‎: ‎Sanskrit
Author‎: ‎Vyasa
Verses‎: ‎700


 THE BHAGAWAD GITA SIMPLIFIED

Why do you worry without cause?


Whom do you fear without reason?


Who can kill you?


The soul is neither born, nor does it die.


Whatever happened,


happened for the good;


whatever is happening,


is happening for the good;


whatever will happen,


will also happen for the good only.

 THE BHAGAWAD GITA SIMPLIFIED

You need not have any regrets for the past.


You need not worry for the future.


The present is happening...


What did you lose that you cry about?


What did you bring with you,


which you think you have lost?

 THE BHAGAWAD GITA SIMPLIFIED

What did you produce,

which you think got destroyed?

You did not bring anything,

whatever you have, you received from here.

Whatever you have given, you have given only here.

Whatever you took, you took from God.

Whatever you gave, you gave to Him.

You came empty handed,

you will leave empty handed.

 THE BHAGAWAD GITA SIMPLIFIED

What is yours today,


belonged to someone else yesterday, and


will belong to someone else the


day after tomorrow.


You are mistakenly enjoying the thought


that this is yours.


It is this false happiness that is


the cause of your sorrows.

 THE BHAGAWAD GITA SIMPLIFIED

Change is the law of the universe.


What you think of as death,


is indeed life.


In one instance you can be


a millionaire, and


in the other instance you can


be steeped


in poverty.

 THE BHAGAWAD GITA SIMPLIFIED

Yours and mine, big & small


erase these ideas from your mind.


Then everything is yours and


you belong to everyone.


This body is not yours,


neither are you of the body.


The body is made of fire, water, air, earth and


ether, and will disappear into these elements.


But the soul is permanent - so who are you?

 THE BHAGAWAD GITA SIMPLIFIED

Dedicate your being to God.


He is the one to be ultimately relied upon.


Those who know of his support are forever


free from fear, worry and sorrow.


Whatever you do,


do it as a dedication to God.


This will bring you the


tremendous experience of


joy and life-freedom forever.

Thanks for Reading

and Honestly Trying to

Implement the same,

in your Day to Day Life.


Please share this presentation with your friends.

 THE BHAGAWAD GITA SIMPLIFIED