Now we'll look at your name with respect to the number of times that the same number repeats, or when certain numbers fail to be represented in your name. The repetition of numbers may show special talents that you possess. The absence of numbers suggests an issue relating to the nature of the number. Some numerologists suggest that the absence of a number reflects a karmic debt carried over from a previous lifetime. The norm in distribution of numbers in the name is somewhat hazy because some names are very short and others are very long. The average name has 15 to 19 letters in it. If this is you, then the following averages should work for you:

If your name is significantly longer or shorter than 15-19 letters, you must make adjustments accordingly. Now, make a count of each of the numbers in your name. I have used my full name below to set up the above example:

D A V I D M I C H A E L M c C L A I N

4 1 4 9 4 4 9 3 8 1 5 3 4 3 3 3 1 9 5

As you can see, I have the average number of 1s, 8s, and 9s. I have more than the average 3s and 4s, and I have fewer than average 2s, 5s, 6s, and 7s.

Be aware that if a missing or less than average number is represented in the subject's core numbers (the Life Path, Expression, or Soul Urge), the karmic deficiency is diminished, if not completely eliminated. For example, if an individual did not have the number 5 in her name, but her Life Path number was 5, she would have little difficulty handling the deficiency shown by the absence of the number.

Here are my delineations of each of the numbers as they would reflect average occurrence, and fewer, or more than average occurrence in a name:

1

Average. With 3 ones in your name, it appears you have sufficient leadership skills, initiative, and ample individuality to get along fine in life.

No 1s or fewer than average. With few or no ones in your name, you may find it hard to stand up for your rights and leadership may be a very difficult trait for you to develop.

More than average 1s. With more than the expected number of ones in your name, you may be very headstrong and even overly assertive in your will to lead. Avoid being too quick to demand your own way.

2

Average. You have a normal and natural desire and ability to associate with others. You are tactful and diplomatic enough to get along fine in the world. Cooperation is no problem for you.

No 2s. You lack patience with people and you may be insensitive sometimes because of this. Cooperation is a trait that must be learned.

Many 2s. You're very considerate of others and have a flair for compromise. Harmony and agreement making may be a major career advantage. You are faithful and adaptable, even to the extent of giving too much. You have a significant appreciate of the arts.

3

Average. If you have a pair of 3s in your name, your imagination and creative talents most likely are in the normal range. You express ideas and feeling with natural ways. Although you may not be described as the life of the party, you know how to have fun and enjoy good company.

No 3s or less than average. This doesn't say that you are dull, but it does suggest that you may have to be stimulated into enjoying yourself. You are not a romantic and one to base decisions of fanciful ideas. Creative ideas may be rare. Of course, if you have a 3 Life Path, Expression, or Soul Urge, this may not be such a problem.

Many 3s. You have more than your fair share of creative talent. You have the kind of imagination that makes you special in music, painting, writing, design, or other artistic endeavors. Indeed, you may tend to scatter yourself a bit at times. You have a "gift for gab," and express yourself well.

4

Average. If you have at least one 4 in your name, your ability to concentrate and apply yourself to a task will allow you to get along well in the world much of the time. The number 4 gives us common sense and the desire to build or develop things. The number 4 needs order and structure.

No 4s or less than average. If there is no 4 in your name, you will not likely be famous for your common sense and focus on mundane tasks. This trait will be well hidden if you have the number 4 as one of the core numbers, but if this is not the case, you may be a very unstructured and disorganized person. The concept of steady building and developing will be something that you must learn the hard way.

Many 4s. If you have more than the average of one 4 in your name, your ability to engage yourself in concrete plans will be a strong trait. You know the value of things and have the willingness to work toward long range goals. You understand details and respect law and order. You may tend to become too rigid and narrow in your thinking.

5

Average. If you have the average of four 5s in your name, you enjoy the human trait of having change and variety in your life, at least to a normal degree. You get along well in day-to-day public contact with the world, and adjust to meeting new people, travel, progress, and all of the changes that are part of living.

No 5s or less than average. It is very unusual to have no 5s in a name. If you if you have less than the average number of 5s, you may have a varying degree of difficulty meeting and dealing with people. You will not feel at ease in a crowd, and indeed, you will want to be left alone much of the time. A limitation of 5s makes it hard to face changes. Hopefully, this number will appear in your core so that this absence will merely be viewed as introspection.

Many 5s. With 5 or more 5s, you may have a very restless nature needing much stimulation. It may be hard to apply yourself to any one project because you tend to get too many things going on at the same time. If this number become too heavy in a name, there is a lessening of attention to detail and less respect for law and order. Properly channeled, this excess of 5s aids salesmanship and promotion.

6

Average. The average of two 6s produces normal instincts to protect and cultivate those close to us and even in the larger community. The traits inherent to 6 yield caretakers, teachers, caring parents, and responsible citizens. The number 6 stands for responsibility and nurturing.

No 6s or less than average. With just one 6 or with a name not containing a 6, your sense of duty to those around you is not strong. Indeed, the sense of obligation to fix the world is not strong in many of us. In daily living, the absence of 6s suggests a certain detachment, and problems large and small are handled without becoming very emotional or concerned. Parenting is often too loose and less than demanding.

Many 6s. A more than average number of 6s in the name produces strongly possessed beliefs and emotions. Ideals are strongly held and seldom surrendered. Your humanitarian spirit and sense of generosity may be outstanding traits in your nature. But your leadership and parenting may be too strict and unyielding sometimes. Loyalty is often consider an absolute necessity. Traditions are strong.

7

Average. The average of one 7 gives the abilities to analyze, investigate, and learn easily. You have a questioning mind which stimulates reading, study, observation and development of the mind. You have the ability to question and discriminate constructively.

No 7s. The qualities of the 7 are missing in many names making the mysteries of life more difficult to understand and grasp. Without a 7 in your name, you may be less cautious, less analytic, and perhaps not the top of the class when it comes to study. You are less apt to be overly skeptical and demanding of those around you.

Many 7s. If you are that rare individual who has many 7s in your name, it may be said that you "dance to a different drummer." Your mind is highly scientific and proof oriented. You take nothing on faith. Many of your ideas will be considered odd and out of step with most of the world around you. Emotions are very controlled.

8

Average. If you have the average of at least one 8, you are generally businesslike and self-sufficient in your affairs. You have average abilities to lead, direct and control others if you choose to develop these traits. With an 8 in your name, you can weigh and balance. Business, management, supervising people, and managing money are traits shown by the number 8.

No 8s. Without an 8 in your name it will be more difficult to manage and direct even your own personal affairs. Power, wealth, and leadership roles in life may not be your primary goal. Yet you are apt to suffer less stress because of your attitudes about these issues.

Many 8s. With 2 or more 8s you may have an intensity in your nature that drives toward power and control of others. You have a strong drive to accomplish, work, guide and command. Life may hold many tests and be frustrating at times, but the rewards can be high. Be aware of the stress in your life.

9

Average. With the average three 9s (or perhaps with only 2) in your name, you have the sense of compassion, goodwill, and tolerance for your fellow man that is necessary to live in our complicated world. The number 9 is associated with mankind and brotherhood. It produces our willingness to accept different races, colors, religions, and beliefs, and life comfortably in our environment. There is a spiritual understanding and acceptance that is normal and healthy.

No 9s or only one 9 in your name. The lack of 9s in the name, though rare, makes it hard to understand and accept others that are different. There is little feeling of universal or spiritual connection.

Many 9s. With many 9s in your name you may be overly sensitive to the world and become an idealist in some aspect of society. You may be generous to a fault. You may take such issues as religion or philosophy to an extreme.

The Story of the Saree (a.k.a. Sari, Seere, Sadi)

The Indian Saree (a.k.a. Sari, Seere, Sadi) boasts of oldest existence in the sartorial world. It is more than 5000 years old! It is mentioned in Vedas, the oldest existing (surviving) literature (3000 B.C.) Patterns of dress change throughout the world now and then but, the Sari has survived because it is the main wear of rural India. 75% of the population (now a billion as per official estimate) wear versatile sari. We can certainly call this cloth versatile because it could be worn as shorts, trousers, flowing gown-like or convenient skirt-wise--all without a single stitch!

Saree (original--Chira in Sanskrit, cloth) is of varied length. From 5 yards to 9.5 yards tied loosely, folded and pleated, it could be turned into working dress or party-wear with manual skill. For day today dress of middle class women, 5-6 yard sari is comfortable to manage household chores. Working class tucks the same length above the ankles and if they have to work in water or fields, they would tuck the front pleats between the legs to the back, and tie the upper portion round the waist. This left them free movement of hands and legs.

A nine yard saree used to be a connoisseurs pleasure with embellishments, embroidery and gold designing. At the same time it was as safe a dress as trousers. It was worn in the similar way as working saree. But, some pleats covered the ankles as well. A gold silver or cloth belt was fastened which kept pallu, (upper cover) pleats and folds in tact. Jhansi's Queen Laxmibai, Belawadi Mallamma and Kittur Chennamma fought enemy troops on horseback, wearing saree this way. Tight tucking of the front pleats in the back was called Veeragacche or soldier's tuck.

Generally the climate of Indian subcontinent is warm and humid. Saree and its male counterpart dhoti was most suited for this land. Earlier there was hardly any difference between Saree and dhoti because men also liked to flaunt colorful Sarees with brocaded borders. They could perhaps be interchanged in needy times. Only the upper portion of the saree-length which covers the chest, left shoulder and at times head, is missing in saree for men.

Styles in wearing saree vary from region to region. Gujarat style and Bengali style are different. So are Mangalorean, Kannadiga, Kodava, Tamilian, Malayali, etc. The Saree is worn in at least 10 to 15 styles throughout the India, though the ways of wearing above used to be common. In Maharashtra and North Karnataka region, wearing a nine yard saree (without a petticoat -- long underskirt --which was superfluous) was in vogue till 20th century. My mother who was a good swimmer, used to wear a nine yard saree tightly and swam in Kali river or Arabian sea along with my father. Wearing swimming costume could just not be dreamt of. But the versatile saree was good enough to move through the waves.

Some people think that Indian saree is influenced by Greek or Roman toga which we see on ancient statues. This is not correct. Saree is essentially Indian and designed to suit local conditions. Cotton was cultivated in India centuries before Alexander the Great landed on the borders of India and Indian cloth (chira or Saree) was a wonder to Greek eyes. In fact, Herodotus and other ancient western historians thought there were cloth-growing trees in India!

An old or worn-out saree is equally utilitarian. Grandmothers used to stitch quilts folding soft and worn-out Sarees and putting bright new cloth on cover, for children which kept them warm. Worn-out thicker Sarees were used as bed covers or blankets in the cradle (as the babies wetted it frequently). For village women, folds of Sarees serve as pouches, bags and haversack to carry grocery and at times babies as well. Some used to make a stand-by cradle out of sree length for the baby. Tying the ends to a nearby tree. White Sarees could be turned into towels, napkins, diapers etc., even after they are worn out.

Dhoti is an abridged version of the saree sans pallu (the throw of the saree). Many Hero-stones (memorials for dead heroes) show the dhoti worn like breeches or shorts with Veeragachche; dagger and other weapons were tucked in dhoti folds.

With globalization, the dress of Indians is also getting westernized. But being most utilitarian, and multi-purpose saree is still reigning in rural India and for all rituals and ceremonials it shines supreme to this day. Colorful sarees are worn as pugrees, turbans and tribals flaunt invariably women's sarees in dances. Yakshagana dancers wear saree designed clothes.

The Vedas

The four Vedas, Rigveda, Yajurveda, Samaveda and Athrvaveda, form the fundamental basis of Hindu philosophy and religion. These are the earliest existing texts of mankind. These deal with the knowledge of the Creator, His Creation, and His Creatures. They have provided a national identity to Hindus through the ages. The Vedic mantras are recited on occasions, happy and sad. In spite of myriads of gods worshipped, the basic mantras, about installation, about various rituals, and for common welfare remain the same, throughout the country. The mantras are in archaic Sanskrit.

The word 'Veda' is derived form the root of Sanskrit word ‘vid’ =to know (Vidya is eduaction). Hence veda means pure knowledge. In broader sense, Vedas mean acquiring of knowledge for right thinking, enlightenment and happiness. These basic requirements of human beings are expressed in Vedas in very short and cryptic words known as mantras. Mantras are revelations of visionaries and sages (rishis), expressed by them occasionally. These were learnt orally by the worthy disciples, and passed on to the following generations.

When put down on paper, these mantras and hymns (suktas) are in twenty thousand and odd in numbers. They are in metrical verses and recited in a particular form. Divided into four books of Rig, Yajur, Sama and Atharva Vedas, mantras pertain to all aspects of human activities.

There are 10589 mantras & hymns in Rigveda, 1975 in Yajurveda, 1225 in Samaveda, and 5997 in Atharvaveda. These vedic verses together are usually known as riks. The most ancient and important veda is Rigveda and is mainly knowledge-oriented.

Yajurveda is action oriented because it mainly deals with all rituals connected with yajnas (sacrifices) through which ancient Indians propitiated gods.

Samaveda is sum total of all the above Vedas put into practice.

Mantras which are metrical, originally meant pure thought or food for intellect.

Shruti is another name for four Vedas. As already stated, oral learning was order of the day and knowledge was acquired by shravana or attentive listening. (The root shru = to listen and shruti is imbibed knowledge acquired through careful listening)

The sacred knowledge, preserved in cryptic mantras or sentences is recited in a particular way with proper stress on correct word, which only reveals the right meaning. This is possible only through years of practice under a Guru, who himself would have acquired the knowledge through attentive listening, reciting and remembering from his Guru. Only parts Khandika of Vedas could be mastered over years of dedicated learning in the traditional chanting way.

The priestly class (the Purohits) are specially trained with mantras meant for occasions which help them with their profession. For bigger occasions of sacrifices, services of highly proficient priests are sought. Real vedic scholars are becoming rare.

Sarees from different regions of India

The core of any good saree wardrobe is to have at least one traditional saree from every region from India. In addition, there should be some plain, single coloured sarees, to show off accessories – be it elegant jewellery or a shawl to perfection.

A range of gorgeous sarees come from Gujarat, Rajasthan, Haryana, Western Uttar Pradesh and Western Madhya Pradesh. The dominant characteristic of the saree of these regions is obtained by dyeing rather than weaving techniques. In fact, the three major forms of Indian resist-dyeing – block printing, tie & dye and ikat have evolved here.

Playing with colour, fabric, weave and embellishments can create an exquisite look to the trousseau wardrobe.

Sarees from West India:

1. Bandhani

- These are sarees created by dyeing the cloth in such a manner that many small resist-dyed ‘spots’ produce elaborate patterns over the fabric.

- The traditional bandhani market has shrunk however, because of the rise of low-cost silk-screened imitations and most modern bandhani sarees are made with larger designs and fewer ties than in the past. There are varieties available in two contrasting colours, with borders, end-pieces and one or more large central medallion called a pomcha or padma (lotus flower). Red and black is the most common colour combination but other pairs of colours are also found. For instance, the panetar saree is a Gujarati-Hindu saree of satin weave and Gajji silk with red borders, central medallions and a white body, which may contain regularly spaced red tie-dyed spots.

- Single colour sarees and odhnis with white spots are also common. The most famous of this type is the Gujarati saree called Garchola It is usually red, but occasionally green, and is divided into a network of squares created by rows of white tie-dyed spots or woven bands of zari. The Garchola is a traditional Hindu and Jain wedding saree, which used to be made of cotton, but is now usually in silk. The number of squares in the saree is ritually significant multiples of 9, 12 or 52.

2. Patola

- The most time consuming and elaborate saree created by the western region is the potole (plural patola) which has intricate five colour designs resist-dyed into both warp and weft threads before weaving.

- Double ikat patola saree is a rare and expensive investment. A cheaper alternative to double ikat patola is the silk ikat saree developed in Rajkot (Gujarat), that creates patola and other geometric designs in the weft threads only.

3. Gujarati Brocade

These are extremely expensive and virtually extinct. The main distinguishing characteristics of the Gujarati Brocade Saree:

- Butis (circular designs) woven into the field in the warp direction instead of the weft, resulting in their lying horizontally instead of vertically on the saree when draped.

- Floral designs woven in coloured silk, against a golden (woven zari) ground fabric. Although such ‘inlay’ work is a common feature in many western Deccan silks, the Gujarati work usually has leaves, flowers and stems outlined by a fine dark line.

4. Embroidered Tinsel Sarees

- The western region also has a rich embroidered tradition, made famous by ethnic groups such as rabaris and sodha Rajputs.

- The saree with zardozi, the gold gilt thread embroidery technique, at one time patronised by the Moghul emperors and the aristocracy, is today an inextricable part of a bridal trousseau.

- Balla tinsel and khari work are the cheaper variations available in metallic embroidery, which have also become quite popular.

5. Paithani

- This saree is named after a village near Aurangabad in Maharashtra. Now also woven in the town of Yeola, these sarees use an enormous amount of labour, skill and sheer expanse of material in their creation.

- Distinctive motifs such as parrots, trees and plants are woven into the saree. The shades vary from vivid magenta, peacock greens and purples. In the pallav, the base is in gold and the pattern is done in silk, giving the whole saree an embossed look.

6. Chanderi and Maheshwari

- The Chanderi saree from Madhya Pradesh is light and meant for Indian summers. It is made in silk or fine cotton with patterns taken from the Chanderi temples.

- The Maheshwari sarees are also both in cotton and silk, usually green or purple with a zari border. The traditional block-printed tussar can also be found in contemporary designs nowadays.

- Balla tinsel and khari work are the cheaper variations available in metallic embroidery, which have also become quite popular.

7. Gadwal

- Gadwal saree is made in cotton in a style influenced by the Banarasi weaves. While the ground of the saree is cotton, there is a loosely attached silk border.

- Copper or gold-dipped zari is generally used in these sarees. The motifs of the murrugan (peacock) and the rudraksh are popular.

- Traditional colours for these sarees are earth shades of browns, greys and off-whites. However, brighter shades have been introduced for the North Indian buyer.

Sarees from North India:

1. Banaras Brocade

- This saree from Banaras is virtually mandatory in the bride’s trousseau. These sarees vary tremendously as weavers create different products to suit different regional markets and changing fashions.

- Most brocades usually have strong Moghul influences in the design, such as intricate intertwining floral and foliate motifs, kalga and bel. A characteristic found along the inner, and sometimes outer, edge of borders is a narrow fringe like pattern that often looks like a string of upright leaves called jhallr. This is almost a signature of Benarasi brocade.

2. Kota Doria

- Kota in Rajasthan, India is the home of the famous Kota Doria saris made in small villages around the Kota city. "Kota Doria" is a super transparent yet stable cotton or cotton/silk weave consisting of varied guages of yarn, creating an almost graph like pattern called khats (squares formed between the different thicknesses of fibers). The intermittent heavier guage yarns give the fabric enough weight and lateral stability to fall very gracefully, yet it is incredibly airy and transparent. Generally, these pieces are worn in the heat of summer.

- The chequered weave of a Kota sari is a prized possession of many women. The gossamer-fine fabric Kota dorias are the finest weaves in India - so fine that they are almost weightless. The spinning, dyeing and weaving are done by skilled artisans and it takes many men hours to do so. The Kota region's craft is exquisite in its perfection. The Kota Doria weave is very special; the warp and the weft use a combination of threads creating a fine chequered pattern where the cotton provides firmness while the silk lends the gossamer finish to the fabric.

- Besides the chequered pattern, there are other weaves in complicated designs in a combination of silk and cotton. The standard Kota doria yardage, in sari width, is always woven in white and later dyed in different colours. Some of the weaves also have a narrow border edged with Zari. In the case of saris with designs, the threads are dyed prior to weaving. Ideal for hot summer, this is a muslin fabric woven with alternating threads of silk and cotton in both warp and weft in an open weave.

3. Other Sarees from this region

- The region is also famous for producing ornate sarees such tanchois, amru brocades, shikargarh brocades and tissues. Abrawans (literally meaning flowing water)- Tissue sarees, usually woven with the finest silk thread are also quite popular. A classy design in Abrawans is tarbana (woven water) with a fine silk warp with a zari weft giving an almost metallic sheen. Kincab or Kinkhwab sarees are the most popular of the brocades and are so covered with the zari patterning that the underlying silk cloth is barely visible.

- Jamawars also come from Uttar Pradesh. These silk sarees are embellished with zari threadwork. The popular theme is a jacquard weave in ‘meena’ colours like orange and green.

- Tanchois (in zari) are another item from of Uttar Pradesh and have different designs, not just Moghul motifs.

Sarees from South India:

1. Kanjeevaram Saree

- No Indian bridal trousseau is complete without the ‘Kanjeewaram’ saree, characterised by gold-dipped silver thread that is woven onto brilliant silk. Kanchipuram is a town in Tamil Nadu with more than 150 years of weaving tradition – completely untouched by fashion fads.

- Kanjeewarams are favoured for their durability. Kanjee silk is thicker than almost all other silks, and is therefore more expensive. The heavier the silk, the better the quality. Peacock and parrot are the most common motifs. Though lightweight kanjee sarees are popular as they are easy to wear and cost very little, the traditional weavers do not like to compromise. While Korean and Chinese silk is suitable for light-weight sarees (machine woven), only mulberry silk produced in Karnataka and few parts of Tamil Nadu, is right for the classic Kanjeewaram.

2. Konrad Saree

- The konrad or the temple saree is also a speciality item from Tamil Nadu. These sarees were original woven for temple deities.

- They are wide bordered sarees and are characterised by wedding related motifs such as elephants and peacocks, symbolising water, fertility and fecundity.

- Traditional colours for these sarees are earth shades of browns, greys and off-whites. However, brighter shades have been introduced for the North Indian buyer.

3. Others

- Pashmina silk, kota silk, Mysore crepes, pochampallis and puttapakshi sarees are also popular South Indian sarees.

- Typical wedding sarees from Kerala are the nayayanpets and bavanjipets which usually have a gold border on a cream base.

- Traditional colours for these sarees are earth shades of browns, greys and off-whites. However, brighter shades have been introduced for the North Indian buyer.

Sarees from East India:

1. Baluchari Sarees

- This saree from Bengal is usually five yards in length and 42” wide in flame red, purple and occasionally in deep blue. The field of the saree is covered with small butis and a beautiful floral design runs across the edges. The anchal has the main decoration depicting narrative motifs. Taingals and kanthas are other speciality items from Bengal.

Charles Schultz Philosophy 

1. Name the five wealthiest people in the world.

2. Name the last five Heisman trophy winners.

3. Name the last five winners of the Miss America Contest.

4. Name ten people who have won the Nobel or Pulitzer Prize.

5. Name the last half dozen Academy Award winners for best actor and actress.

6. Name the last decade's worth of World Series winners.

The point is, none of us remember the headliners of yesterday. They are not second-rate achievers. They are the best in their fields. But the applause dies. Awards tarnish. Achievements are forgotten. Accolades and certificates are buried with their owners.

1. List a few teachers who aided your journey through school.

2. Name three friends who have helped you through a difficult time.

3. Name five people who have taught you something worthwhile.

The lesson: The people who make a difference in your life are NOT the ones with the most credentials, the most money, or the most awards. They are the ones who care.